Wednesday, March 23, 2011

Workshop Whirlwind


Jim Snitzer, Quarter Plate Ambrotype, Day Two

Allison Welch, Quarter Plate Ambrotype, Day Two

This past weekend, I taught a very small (one might even say semi-private) wet-plate collodion workshop. It was a fun filled, delightful two days with Jim Snitzer, University of Iowa School of Art & Art History faculty member, and Allison Welch, UI MFA photography student.  They both managed to make quite a few great plates in this whirlwind of a weekend, and my two dogs were both very happy to have company – especially company that so readily handed out the rubbin’s!

Happily,
hf (and Fergus & Frannie)

Fergus

Frannie

The Venus Series


Figure #7 from The Venus Series by Lindsey Beal
 Ruby Ambrotype, Quarter Plate (4¼“ x 3¼“)


Figure #17 from The Venus Series by Lindsey Beal
  Alumitype Photogram, 4¼“ x 7¼“

The Venus Series, Lindsey Beal’s MFA thesis show featuring ruby ambrotypes and alumitypes of handmade paper torsos, is on view now through the 26th in The Print Space at Studio Arts in Iowa City. There is a closing reception on March 25th from 6 until 8 pm.

I first met Lindsey nearly two years ago in Anne Marie Kennedy’s summer papermaking class at the University of Iowa Center for the Book. Since Lindsey is an MFA photography student, and my background is in photography, specifically historic photographic processes, we had some common interests to talk about in addition to papermaking. (We also had a copperplate photogravure class later that summer where our newfound friendship continued to develop.)

We continued to talk on a regular basis and Lindsey expressed an earnest interest in learning wet-plate collodion and other historic photo processes. Since these are not offered at the University of Iowa, she found a way to learn it on her own, which led her to work with me beginning in the summer of 2010. 

As it turns out, some of the work she did in that auspicious papermaking class – hand-made paper torsos - has proved to be the foundation for her thesis project. Lindsey’s dedicated and focused work in The Venus Series has been wonderful to behold. The wet-plate process can be difficult and frustrating to learn and yet Lindsey persevered with great enthusiasm, her positive attitude never wavering. She did not give up, as some students do, when those initial exposure times weren’t yielding the desired results, or her plates had “holes” where the developer didn’t flow properly. She kept working at it until she had excellent exposures and beautifully developed plates. I see her apply the same work ethic to all her projects - indeed this dedication is evident in all her work.

If you are in the area, I highly recommend you go check out Lindsey’s Venus Series  - and if you are not, check out her work here.

Respectfully,
hf